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Zll THE BETITAL OF BALLAD POETRT In such an age immortal 5^hakespear wroti. 455 1084 hoo waa of all conlonrea ^t men may see on flowers beiweene Midsummer & May. they had rydden but a while, not the space of [a] Mile into that flbrrest groene ; 1096 then they saw a hind sterke,^ & 2 grayhounds that were like the ratch t Jtat I of meane. Soonthoy ■eoartag followed by two grcj' bounds, the hunted ® still vnder the lind ' 1 100 to see the course of that hind vnder the fforrost side, there beside dwelled that Knight that S/r Otes dc lilo bight, 1 104 a man of much pride ; he was cladd all in Inde,^ & fiast pursued after the hind and Rtnp to watch ber.
By no quaint roles nor hampering critics taught, With rough miycstic force they moved the heart, And strength and nature made amends for art. the Mayd sayd al soe ^ soone, " soe ^Guro a ratch I nenor saw none, nor pleasanter to my pay ' !
Public domain books are our gateways to the past, representing a wealth of history, culture and knowledge that's often difficult to discover. In the Miscellany Poems j edited by him, of which the first volume appeared in 1684, the last in 1708, eight years after his death, are to be foimd " Little Musgrave and the Lady Bernard," certainly one of the most vigorous ballads in our language ; " Chevy Chase, " with a rhyming Latin translation ; ** Johnnie Armstrong," " Gilderoy,** "The Miller and the King's Daughters." But the evil that men do lives after them.
Marks, notations and other maiginalia present in the original volume will appear in this file - a reminder of this book's long journey from the publisher to a library and finally to you. Dryden, in his *' Knight's Tale " and other works, had set the fashion of imitating and modernising our old poems. For more than half a century after his death, with the exception of the insertion of two or three in Playford's * Wit and Mirths or Pills to purge Melanclu)lyy and of the Collection of Old Ballads above referred to, we have produced in England imitations or adaptations of ballads — no faithful reprint of the genuine thing.
Nevertheless, this work is expensive, so in order to keep providing tliis resource, we liave taken steps to prevent abuse by commercial parties, including placing technical restrictions on automated querying. But there were two men in Queen Anne's time who had a genuine relish for old ballads, and who said a good word for them. Addison's taste for them had been awakened during his travels on the Continent.
We also ask that you: Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for personal, non-commercial purposes. " When I travelled," he writes, " I took a particular delight in hearing the songs and fables that are come from father to son, and are most in vogue among the common people of the countries through which I passed ; for it is impossible that anything should be universally tasted and approved by a multitude, though they are only the rabble of a nation, which hath not in it some peculiar aptness * This Collection, though generally (1719), in six volumes. printed in 1714; the first volume in J/Urfoy edited only the last edition 1699.— W. X THB BEYITAL OF BALLAD POETBT to please and gratify the mind of man." He gives, as is well known, two numbers of the Spectator to a consideration of «• Chevy Chase," one to that of the " Children in the Wood." ** The old song of * Chevy Chase,' " he writes, " is the favourite ballad of the common people of England, and Ben Jonson used to say he had rather have been the author of it than of all his works," Then he quotes Sir Philip Sidney's famous words ; and then adds, ** ¥ot my own part I am so professed an admirer of this antiquated song that I shall give my reader a critick upon it, without any further apology for so doing.'' And he proceeds to investigate the poem according to the critical rules of his time.
Our humble author doc H his steps pursue ; He owns he had the mighty bnrd in view ; And in these scenes has made it more his care To rouse the passions than to charm the ear.
The funeral cortege encounters the hymenea L The bridegroom's old passion^ too late, revives. Google Book Search helps readers discover the world's books while helping authors and publishers reach new audiences. He takes for one of his plays a subject that was the theme of a widely popular ballad, and in introducing his tragedy, deprecates the adverse prejudices of his audience, and speaks boldly in favour of the elder literature, and against the wretched affectations of his time. The French text makes the hound with a thorn in its foot; Hellen fl it out, ridea off with the dog, and ontaman seea it under her doak. You can search through the full text of this book on the web at | //books .google .com/I .• \ POX Library fkineh Vo Uectwn. • "p M J /W AVD LAn Aflfn STAMTi'r DTOR OF CSBUff T'S OOLLBOB, GAMBRIDOK JLSTD FREDERICK J. The Prologue to his "Jane Shore," first acted in 1713, opens thus: To-night, if you have brought your good old taste, We'll treat you with a downright English feast, A tale which, told long since in homely wise, Hath never failed of melting gentle eyes. reluaea to give it up to him or his ter, and so Sir Otcs, or IJOrgu Uloua I Lande, rklcs off for his armour, and fights Lybius. Let no nice sir despise the hapless dame Becanse recording ballads chaunt her name ; Those venerable ancient song^nditers Soared many a pitch above our modem writers. They caterwauled in no romantic ditty, Sighing for Philis's or Cloe's pity ; Justly they drew the Fair, and spoke her plain, And sung her by her Christian name — 'twas Jane. But what we've gained in verse, we've lost in prose ; Their words no shuffling double-meaning knew, Their speech was homely, but their hearts were true. " 1088 Sir Lybius anon him caught, & gaue him to maid Elen.^ they rode fibrth all rightes, & told of ffighting with Kfiighta 1092 ffor ladyes bright & sheene.
A public domain book is one that was never subject to copyright or whose legal copyright term has expired.